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Space and Reality: Barton Fink (1991)





          The movie Barton Fink (1991) is written and directed by Coen Brothers holds many discussions ever since it aired on the white screen. The movie includes varieties of symbolic meanings as well as hidden messages. The movie tells the story of a writer who struggles with writing a script for Holywood. The movie has characteristics of metafiction as it is fiction about the process of creating fiction. Throughout the movie, the audience tries to grasp the idea of reality because it is repeatedly broken by irrational scenes. The spaces of the movie are different and each space contributes to the reality or unreality of the movie. 

 

      First of all, the first scene opens up to a backstage of a theatre in which a man is repeating the lines of the scene. The first line of the movie is the first line of the play and it goes as; ‘’Daylight is a dream if you lived with your eyes closed.’’ This line includes much symbolic reading for the movie. The audience could interpret these lines as the protagonist is in a dream, the protagonist wants to live in a dream, the protagonist is in a dream for not realizing what is real and important, or the movie’s narrative is a dream narrative. Every interpretation is possible when you think about the differences between the day scenes and the night scenes of the movie. In the day, the audience sees the protagonist with other people in which set in believable spaces, but when the night comes, the hotel set a space where the unreliability is dominant if it is considered that the audience only sees the protagonist in the hotel at nights after the first time he enters it.

 

      Second of all, with this point of view, the spaces of the movie could be divided as the inside of the hotel and the outside of the hotel. The most important space of the movie is the hotel room of the protagonist. As it includes darkness, hotness, deterioration, and eventually madness; the hotel room space contributes to the unreliability of the movie’s reality. The hotness of the space becomes like a character that has an overwhelming effect on the protagonist. Thus the space of the hotel room could be linked with his next-door company Charlie and it is dictated with the sweat drops on his face and the peeling of the wall-papers as it could be the symbol of the ear infection of Charlie. The green and the dark yellow colors of the room add up the aura of deterioration. The claustrophobic space of the hotel is constructed with its narrow corridors and dark rooms. After a point in the movie, its reliability gets questionable. As the protagonists have sex with the woman of his dream, the audience feels like they view a dream space that has the characteristics of a nightmare. The blood on the woman and the bloodstain on the bed, the noises that come from far away, the dripping sound of the tap, the blurry vision of the protagonist indicates intoxicated realities such as the effect of alcohol or most likely a nightmare. 

 

      Third of all, images of outside spaces of the movie helps to contribute to the reliability of the movie as it includes scenes with other characters that have been caught up their own lives such as the lunch with the producer, or the picnic scene with the admired writer W.P.Mayhew, the voices of children and the people yelling turns the audience to the real world. The spaces that the protagonist enters where he faces the authority figure, the director Jack Lipnick, contributes to the reality of the movie as it turns our attention to the linear narrative of the movie, that the protagonist came to Los Angeles with a purpose and towards the end, the protagonist learns that there is a war and what is more real than a war? However, as soon as the protagonist returns to the hotel, the audience is faced with dark spaces again. Even authority figures of detectives that should bring reliability to the movie are only seen within the hotel thus it redeems their credibility. Towards the end of the movie, the hotel looks like it is actually caught on fire and the detectives are killed violently by Charlie and this is the last scene that makes the audience believe that none of the things were real as the audience sees the protagonist in his unburnt room writing insanely as if nothing happened or as if he was wakened up from his nightmare. 

  

     
 Lastly, the painting that has been on the wall of the protagonist from the beginning is set up as the last scene of the movie after the protagonist learns that in short, he is a prisoner of the company until he ‘grows a pair’ and writes a decent movie script. Throughout the movie, whenever Barton gets suffocated from his anxiety, from the fact that he has a deadline or from the heat he looks at the painting and hears the sound of the ocean waves which gives him a sense of relief thus it is not surprising to see him in the beach as he feels overwhelmed by the realities of the life. However, the speech between the protagonist and the woman on the beach and the pose of the woman makes the audience believe that it was all a dream yet they can never be sure where did it started or where did it end. 

 

 In conclusion, the images of space in the movie make the audience question or believe the reality of the movie. The audience enjoys a movie while witnessing the suffering of being a writer and they wander between imagination versus reality as the protagonist does.

 









 

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